Some of De Vere’s early poetry appeared in print under his own name. Click here for a printable and citable pdf version of this website presentation, preserving it in the form and pagination in which it was originally presented in June 2018. However, this stopped soon after texts were printed under Shakespeare’s name. The echoes explored here prove that Shakespeare habitually reverted to imagery, ideas, figurative language, and diction pioneered in de Vere’s early lyrics.

You may be stunned by the sheer weight of the evidence presented by all these echoes and parallels. Eight de Vere poems (Nos. Though literary scholars reject all alternative authorship candidates, including Oxford, interest in the Oxfordian theory continues. One objection to the Oxfordian theory of Shakespeare authorship — often voiced by defenders of the orthodox view that the author was William Shakspere of Stratford-upon-Avon (1564–1616) — has been that de Vere was allegedly a mediocre or even “bad” poet. 2 (lines 16-18), No. These published volumes, part of Professor Stritmatter’s Brief Chronicles book series published by the SOF, will provide new, powerful, and essential scholarly analysis and documentation building on this 2018 website presentation. The evidence supports two related conclusions: (1) The argument that de Vere’s early poetry was “bad” stands in defiance of the views of his own contemporaries and can only reflect a lack of familiarity with his importance in the development of the early Elizabethan lyric voice. 2 Elliott & Valenza (e.g., 2004 and 2010) have argued that stylometric comparisons of the text of Oxford’s known poems with the text of the Shakespeare canon rule out Oxford as author of the latter. Oxford was one of the leading patrons of the Elizabethan age and, during his lifetime, 33 works were dedicated to the Earl, including publications on religion, philosophy, medicine and music. Throughout the 1580s, De Vere maintained a band of tumblers as well as two theater companies, Oxford's Boys and Oxford's … But since Richard Edwards, who compiled manuscripts on which that volume was based, died in 1566, all those poems may well date from de Vere’s adolescence. Your information is safe and will never be shared. ... more », Sitting alone upon my thought in melancholy mood,In sight of sea, and at my back an ancient hoary wood,... more », Faction, that ever dwells in Courte where witt excels,Hath sett defiance;Fortune and Love have sworne that they were never borne... more », Come hither shepherd's swayne:'Sir, what do you require? Phenomenal Woman, Still I Rise, The Road Not Taken, If You Forget Me, Dreams (2010). 9 (lines 34-36), and No. 1927; see May 1980, 68-69). Such views may reflect only those of the various individual scholars, past and present, whose work has informed this presentation. The Introduction below places these poems in context as the juvenilia of Shakespeare. Poems of Edward De Vere, 17th Earl of Oxford, Paperback by De Vere, Edward, L... Get the item you ordered or your money back. Each poem is followed by an analysis of parallels between de Vere’s text, shown in bolded red, and passages in Shakespeare’s works. As with the poems above, all parts of the Introduction are conveniently linked here as follows. They may be explored in any order and may perhaps only be fully appreciated as a whole. The de Veres traced their ancestry back to before the conquest in 1066 by William of Normandy, who was accompanied by a fighting de Vere. Sitting alone upon my thought in melancholy mood. Since the 1920s, the Oxfordian theory has been the most popular alternative Shakespeare authorship theory. The remainder of this Introduction is divided into five additional sections. 'I praye thee, shewe to me thy name. Three of his poems, "When wert thou born desire", "My mind to me a kingdom is", and "Sitting alone upon my thought", are among the texts that repeatedly appear in the surviving 16th century manuscript miscellanies and poetical anthologies. Permission is hereby granted to copy and distribute this presentation, only for nonprofit educational purposes and only the original unaltered website or pdf versions (in whole or in part, including at a minimum either this introductory website page or the first five pages of the pdf version). (Professor Stritmatter’s published study will expand considerably upon these, exploring many additional parallels, and additional suspected early poems by de Vere.). The image of the blue boar and motto incorporates elements from an illustration copyright © 1975 by The Estate of Ruth Loyd Miller; all rights reserved; used by permission. A revised version of Volume I, along with additional volumes, will be published in 2021. The Oxfordian theory of Shakespeare authorship contends that Edward de Vere, 17th Earl of Oxford, wrote the plays and poems traditionally attributed to William Shakespeare. So, it's been suggested that De Vere took on his pseudonym when Shakespeare’s earliest works were first published: The Rape of Lucrece (1593) and Venus and Adonis (1594). The SOF does not necessarily endorse any specific views expressed herein. 17 (lines 1-4 & 9, and 7-10 & 15). We respect your privacy. You may read the poems first or the Introduction first, or go back and forth between the two as your interests lead you. As discussed in the accompanying news article — Poetic Justice for the True Shakespeare? Both poems were dedicated to Henry Wriothesley, 3rd Earl of … Oxford's manuscript verses circulated widely in courtly circles.

Thanks for signing up. Poems . The next section discusses Oxford’s Known Poetry as Juvenilia, followed by Oxford’s Early Poetry in Elizabethan Literary History, Selection of Poems, Evaluating the Poetic Parallels, and the Conclusion. For a more promising, linguistic-based approach to determining authorship, see, e.g., Chaski (2005) or Argamon et al. We do venture to suggest that the present study’s apparent conflict with such stylometric claims may confirm what should not really be surprising: that a computer is still not as good as a human being at reading poetry. © Copyright 2020, Shakespeare Oxford Fellowship, Join our FREE Email list to get the latest news on the Shakespeare authorship controversy. — this website presentation will be supplemented for scholarly purposes by Professor Roger Stritmatter’s historic and comprehensive multi-volume study, The Poems of Edward de Vere, 17th Earl of Oxford … and the Shakespeare Question, of which a preliminary version of Volume I, He That Takes the Pain to Pen the Book, was published in April 2019. You must confirm your email address before we can send you. Introduction: Oxford’s Poems and the Authorship Question, Edward de Vere (Earl of Oxford): leading courtier poet. Please check your email and follow the instructions. provided at no charge for educational purposes,, De Vere was also active as a dramatist at this time. Edward de Vere, 17th Earl of Oxford (12 April 1550 – 24 June 1604) was an Elizabethan courtier, playwright, poet, sportsman, patron of numerous writers, and sponsor of at least two acting companies, Oxford's Men and Oxford's Boys, and a company of musicians. The SOF, on June 22, 2018, proudly unveiled this major new presentation, the first in decades, 1 of early known poems by Edward de Vere, 17th Earl of Oxford (1550–1604), the Elizabethan nobleman thought by many to be the mind behind the mask of the greatest works of English literature, the plays and poems attributed to “William Shakespeare.”. All rights reserved. Read our privacy policy. Bedingfield's dedication to Oxford is dated 1 January 1572. Edward De Vere, 17th Earl of Oxford.

Your information is safe and will never be shared. Subscribe to our FREE email list for news & updates! The focus of his patronage, however, was literary, with 13 of the books presented to him either original or translated works of world literature. Oxford’s motto: “Nothing Is Truer Than Truth”. 1 Copyright © 2018 by the Shakespeare Oxford Fellowship (SOF). The SOF welcomes constructive comments, questions, and corrections, which may be submitted by email ( a preliminary website presentation by the Shakespeare Oxford Fellowship, The SOF, on June 22, 2018, proudly unveiled this major new presentation, the first in decades,1 of early known poems by Edward de Vere, 17th Earl of Oxford (1550–1604), the Elizabethan nobleman thought by many to be the mind behind the mask of the greatest works of English literature, the plays and poems attributed to “William Shakespeare.”. (2) The argument that de Vere cannot have been Shakespeare because he was allegedly a bad poet is turned on its head by a careful study of the two bodies of work.

One of the plot twists in Hamlet finds Hamlet being captured by pirates on his way to England and being left naked on the shore of Denmark. We suspect many readers will want to jump right into the poems themselves (see links above). Oxford Book of Short Poe... ''A doubtful choice, of these three which to crave, A kingdom, or a cottage, or a grave.''. Poems of Edward De Vere, 17th Earl of Oxford | Edward De Vere | ISBN: 9781976195785 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. It has been claimed that his few surviving early lyrics fail to show the promise, originality, sophistication, or literary polish of the mature works of Shakespeare. 2 to 9) were first published in 1576 in The Paradise of Dainty Devices (Rollins ed.

See also Note on Sources, Titles, and Presentation of Parallels, Key to Abbreviations, and Bibliography of Works Cited. 4. Read our, Exploring the evidence that the works of Shakespeare were written by Edward de Vere, 17th Earl of Oxford, Twenty Poems of Edward de Vere Echo in the Works of Shakespeare, Click here for a printable and citable pdf version of this website presentation, “If Women Could Be Fair and Yet Not Fond”, Celebrating the Oxfordian Centennial: 1920-2020, “Shakespeare” Identified Centennial Videos, Note on Sources, Titles, and Presentation of Parallels, “The Labouring Man That Tills the Fertile Soil”, “If Care or Skill Could Conquer Vain Desire”, “The Lively Lark Stretched Forth Her Wing”, “The Trickling Tears That Fall Along My Cheeks”, “Fain Would I Sing But Fury Makes Me Fret”, “Sitting Alone Upon My Thought” (The Echo Verses), Oxford’s Early Poetry in Elizabethan Literary History, Note on Sources, Titles, and Presentation of Parallels, Key to Abbreviations, and Bibliography of Works Cited,, SOF Celebrates Successful Online Symposium.

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