Can’t get to the shops? Hennessy. Salesman is a 1969 direct cinema documentary film about door-to-door Bible salesmen, directed by brothers Albert and David Maysles, and Charlotte Zwerin. Some may insist that a documentary has to be somewhat relevant to have any real value, but "Salesman", a film on the lives of door-to-door salesmen, the product of a mostly by-gone era, is pure contradiction of this claim. In my lifetime of viewing films, I've never seen a non-fiction film more affecting and poignant. Elements of popular culture that appear as backdrops to the main story include the song "If I Were a Rich Man" from Fiddler on the Roof; a recorded orchestral performance of the Beatles' song "Yesterday"; The Tonight Show Starring Johnny Carson; the theme music of the television series Ben Casey; and televised boxing matches. | Historical documentaries, such as The Civil War by Ken Burns, expressed not only a distinctive voice …
( Log Out / A business implying a network of bosses, salesmen, prospects. Given their prowess in examining the counterculture of that tumultuous decade, it's doubly impressive that their exquisite Salesman (1969) so skillfully details the “other” ’60s, the world of “ordinary” people animated by making do with everyday life rather than preoccupations with Vietnam, drugs, and social change.
The Maysles Bros. did a wonderful job with this film as it follows four salesmen (nicknamed the Badger, the Gipper, the Rabbit, and the Bull, based on their particular on-the-job attributes) from Boston to Florida as they struggle to sell lavishly illustrated Bibles to reluctant, blue-collar customers as desperate to keep their money as the salesmen are to take it. What was once charming and genuine feels desperate and misleading. Be forewarned, this is an oppressively sad, yet slyly funny, film that is not easy to watch.
These are not particularly religious men. | We don't know where Miss Kael got her facts. So unlike today's society, where if you walk to somebody's front door, you're more like get a slam onto your face, before you finish a sentence. 3.  The letter, which is signed by all three of the film's credited directors, states in part: Miss Kael seems to be implying that we, as filmmakers, are responsible for the events we film by suggesting that we set them up or helped to stage them. And all this takes place in the Catholic universe: they try to sell expensive Catholic editions of the Bible to lower income families of Catholic parishioners. It ends with The Bull, in a fit of passive-aggressive frustration, purposefully humiliating Paul in front of the potential buyers. At the end of the day he files his sales slips, which are getting fewer and far between. "Salesman" is an uncomfortable examination of human emotions, and provokes a strong reaction of guilt and sympathy. Selling for as much as $40 per ornate book, the target audience are mostly poor catholic families who are given a hard sell before being offered a range of payment methods. Rag Nymph. Wisconsin Athletics would like to thank those that have donated to the Badger Legacy Campaign (as of Monday, September 28 at 8:30am) 7 . Cinéma vérité (or the closely related direct cinema) was dependent on some technical advances in order to exist: light, quiet and reliable cameras, and portable sync sound. It is a gloomy watch as well as uncomfortable one as we barge in the front door with the wheeler dealers and sit through the pitch. These are the door-to-door Bible salesmen and their customers, and they occupy a world of starched white shirts, dark ties, pork-pie hats, and morning cigarette coughs—a world far removed from tie-dyes, beads, long hair, and pot highs.Salesman takes us inside the diurnal rituals and disappointments of men who clearly resemble Willy Loman from Arthur Miller’s Death of a Salesman.
One does feel, after seeing this, that reality is just as bad as Dorothy Parker said it was. Instead, they realized that they were dealing with a story about Brennan. In referring to our previous film, Salesman, Miss Kael says "the Maysles brothers recruited Paul Brennan, who was in the roof-and-siding business, to play a Bible salesman." Hercules: The Legendary Journeys. He is the person—the future—you hope not to be.Underneath this critique of failure and smallness lies a more powerful indictment of American commercial society: its petty obsessions with status, its propensity to exploit the gullible, its way of concealing exploitation behind goodwill, and above all, its snide trick of offering religion and its promise of deliverance in the afterlife, rather than improvements in everyday life. This interesting documentary is like a time capsule.
During a pivotal time for Black cinema, John Berry’s beautifully lived-in drama offered a portrait of an African American family that stood in opposition to a long history of harmful stereotypes.  The brothers self-distributed through their production company, Maysles Films, and they booked theaters for screenings. He was an actor, known for Below the Belt (1980) and Salesman (1969).
Paul reminds me of my father, who was a more successful salesman but was cheated by his boss. This film is about the trials and tribulations of four door-to-door Bible salesmen in 1968, on the eve of when their occupation was about to become extinct.  The brothers paid each salesman $100, along with their expenses.
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