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/Annots [] Otherwise known as stereotypes.
/Tabs /S 17 [382 0 R] In Celluloids Indians Jacquelyn Kilpatrick describes stereotypes as such, “‘ [s] tereotypes are evaluative concepts about status and roles and as such are central to interpreting and evaluating social groups including one’s own.”’ (xvi) Kilpatrick explores “the social, ideological and political construction”(xvi) of stereotypes in literature, film and politics. 2
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In particular, King Kong provides a window through which a modern audience can understand and interpret racism of the 1930s.
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They saw with their own eyes, not ours. << /Parent 2 0 R <<
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/Contents 198 0 R /StructParents 17 >> This paper critically discusses the film industry as well as pop culture that have shaped the way how Native Americans are viewed today. /Annots [] >> 59 0 obj Twentieth- century film and popular culture have created countless stereotypes and misconceptions about Native Americans, portraying them through negative and disturbing images - as wild savages, bloodthirsty killers, thieves, rapists, kidnappers, beggars, less intelligent beings, scalp collectors, relentless trackers and as inferior human beings in every possible way.
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/Tabs /S Richard Dyer, a Professor in Film Studies, clarified that “in stereotyping the dominant groups apply their norms to subordinated groups, find the latter wanting, hence inadequate, inferior, sick or grotesque and hence reinforcing the dominant groups’ own sense of the legitimacy of their domination” (pp, subject of Native American characters comes up in conversation, most picture Tonto from the film The Lone Ranger.
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