Gibberd’s design incorporated twelve small chapels surrounding the nave, which he described as being among the most significant elements of the whole design of the Cathedral: ‘Not before has a cathedral been enclosed by a series of buildings which, independent in both designs and construction, are yet interlocked with the total space and the total structural form.’. At the Metropolitan Cathedral, it is clear that the theological conception was that of the people of God gathered around the altar to celebrate the Eucharist, something that was clearly either ignored or dismissed by the other cathedrals.

Whether or not this statement influenced the cathedral committee directly is unknown, but what is abundantly clear is that they have subscribed to both the theology and praxis of a separate baptistery. Morgan Sindall carried out the construction work on the project. It is the secondary worship space for use with smaller congregations. Interestingly, to combat this problem, Gibberd’s original design called for a sloping floor towards the sanctuary. Firstly, if the desire was for the whole congregation to be able to see the liturgical action taking place in the sanctuary – is this actually possible from those seats the furthest distance away? Upon entering into the cathedral, ones eyes are immediately drawn to the high altar in the center of the space, and upwards to the seemingly endless lantern that crowns it. The canopy generally takes one of two forms, firstly the civory or baldacchino, which would usually be a columned structure dwarfing the altar, as found in the Basilica di Santa Maria Maggiore, Rome. At the mass of consecration a single (moveable) ambo was used, placed on the left side of the altar. Ryder designed innovation centre completes Cathedral campus Ryder Architecture has completed work on Liverpool Science Park’s Metropolitan Cathedral campus. Home > Liverpool buildings > Metropolitan Cathedral Campus Liverpool, Metropolitan Cathedral Campus, Liverpool Science Park, England Architecture, Liverpool Innovation Centre Development at Mount Pleasant design by Ryder Architecture, Address: Cathedral House, Mount Pleasant, Liverpool, L3 5TQ, Ryder designed innovation centre completes Cathedral campus. the St Columba chapel) are self-enclosed.

Home » Uncategorized » The architecture of Liverpool Metropolitan Cathedral: PART 3.

As was common in pre Vatican II churches, the baptismal font was placed in a separate baptistery near to the entrance of the Cathedral. Whether the sanctuary is clearly visible form the rear pews is debatable depending on ones vision and height. As a building conceived before Vatican II, the Metropolitan Cathedral was required to have several ‘side altars’ or chapels for individual priests to say daily mass. Described by the architect as the fulcrum or pivotal space from which the design of the cathedral was set out, the altar is placed directly in the center of the cathedral, raised up several steps, made of white marble and free standing so that the priest may celebrate either liturgical east or west. An awe-inspiring landmark on … An awe-inspiring landmark on the Liverpool skyline that you will not want to miss. However, it is clear that whilst the cathedral comes into its own for large scale celebrations of the Eucharist, it is not so suitable for smaller gatherings, especially those non–eucharistic occasions such as when the Liturgy of the Hours are celebrated. However this was subsequently reversed by the cathedral committee in conjunction with the architect, believing that it would turn the cathedral into an ‘arena,’ precluding the possibility of adaptation due to future liturgical change. Whilst it is obviously preferable to have a permanent structure, this was clearly a sensible decision on the part of the architect not to anticipate what directions might result for ensuing liturgical reforms. The same slab of marble was used for the altars in the Blessed Sacrament Chapel, the Lady Chapel and Baptistery, providing a liturgical unity between many of the primary objects in the cathedral’s worshiping life.

La Cathédral Métropolitaine du Christ-Roi de Liverpool, ou Metropolitan Cathedral of Christ the King Liverpool est un édifice religieux à l’architecture majestueuse, à l’intérieur plein de solennité et dont l’histoire hors du commun ne manquera pas de vous toucher. However that the debate was already in focus in the early 1960’s is apparent from Gibberd’s own words: ‘Clearly Liverpool rejected a modern tendency to regard the sacrament of baptism, or re-birth, as being one which involves the whole seated congregation and not merely a group of relatives and friends.’  He goes on to outline the difficulties that would have been presented by having the baptismal font as a liturgical focus in the nave of a circular building, detracting as it would, from the altar.

However, one must wonder exactly how much change could be effected to the basic plan of the cathedral anyhow – the center of the space being filled by the altar is integral to the plan. And if not, should the sanctuary have been raised higher, or the nave sloped for better sight lines? Upon entering into the cathedral, ones eyes are immediately drawn to the high altar in the center of the space, and upwards to the seemingly endless lantern that crowns it. Considering that most altars in RC churches to this point (mid 1960’s) were fixed against the east wall, this was a striking innovation. Others have para-liturgical / devotional uses such as the Reconciliation chapel and the chapel of the Holy Oils, leading towards, but not detracting from the heart of the liturgy.

Gibberd achieved these requirements by designing a circular building with the altarat its centre, and by transforming the roof of the crypt into an elevated platform, with the cathedral standing at one e… Today a permanent ambo stands slightly raised on the right side of the altar, illustrating a strong theological, architectural and aesthetic relationship between the altar and the ambo, making it clear that the ‘liturgy of the Word and the celebration of the Lord’s Supper … constitute a single act of worship.’ (Eucharisticum mysterium # 10). and secondly a tester, a smaller lighter structure usually suspended from above. The font, made from the same marble as the high altar, lies in an enclosed baptistery of around five hundred square feet along the perimeter wall of the cathedral in a setting that clearly illustrates the importance of the sacrament. Gareth added “It made perfect sense to make this our key base in the north west not only because we designed the building, but because the science park itself offers so much in the way of location. An awe-inspiring landmark on …

Today opinion is divided as to the question of whether the positioning of the font in a separate baptistery is conducive to the idea that initiation is the responsibility of the whole church. Shortly before the design of the Metropolitan Cathedral was submitted, the German RC Liturgical Commission set out principals to be observed in relation to baptismal fonts in new churches: In the ideal church this ‘spring of baptism’ would be given monumental treatment and be placed in a separate room near the entrance.

The Blessed Sacrament chapel’s principal liturgical roles are twofold. Gibberd opted for the latter on the grounds that he did not want to detract from the visual environment of the sanctuary. Suspended some 30 ft above the altar, it’s design is reminiscent of a crown of thorns (rather appropriate in a Cathedral dedicated to Christ the King) but actually somewhat transparent in viewing drawing attention to the sanctuary area rather than to itself. Two interesting issues could be raised in regard to the sanctuary. The competition to design the Cathedral was held in 1959. Liverpool Metropolitan Cathedral The Metropolitan Cathedral of Christ the King is a dramatic icon of faith, architecture, and human endeavour. This provision follows a long tradition of having separate baptisteries, often of large proportions and grandly decorated. Metropolitan Cathedral Campus imagse / information from Ryder Architecture, Location: Cathedral House, Mt Pleasant, Liverpool, L3 5TQ, Merseyside, north west England, UK, Liverpool Architecture Designs – chronological list, Liverpool Architecture Tours by e-architect, Liverpool Science Park Design: Ryder Architecture image from Ryder Architecture Liverpool Science Park, The Maritime Knowledge Hub Design: Schmidt Hammer Lassen Architects image Courtesy architecture office The Maritime Knowledge Hub, Comments / photos for the Metropolitan Cathedral Campus Architecture page welcome, Liverpool Metro Cathedral – External Site, Patagonia Place Liverpool Waters Property, Liverpool Building News: Merseyside Architecture, Liverpool Architecture Tours: Walking Guide.

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