Especially the cinematographer Vilmos Zsigmond did an amazing job. I will make them suffer like I have suffered. Instead, we get genuine horror and violence, depicted just outside the realm of decency--by 1963…. The Sadist is very noticeably low-budget, but it wears its budget as a badge of honor. One of the earliest thrill kill films (and a nice forerunner to Faster, Pussycat! What a great film from 1963. Up until Tibbs’ arrival, the dialog is nice, clean, polite, and ever so pleasant, making the viewer think we’re watching an episode of Leave it to Beaver. We spend the rest of the movie with the captives, submitted to all the things a sadist would do. Where are you from? Tense, dusty, claustrophobic desert shocker featuring the one effective performance by Arch "Eegah" Hall Jr. is always worth a revisit, and the new Blu-ray release is a real thing of beauty allowing the ace work by cinematographer Vilmos Zsigmond (yes, the one and the same) to shine through. It wouldn’t be until 1973, when Terrence Malick would direct the film, Up until Tibbs’ arrival, the dialog is nice, clean, polite, and ever so pleasant, making the viewer think we’re watching an episode of, This was the first job as cinematographer for Vilmos Zsigmond, who would go on to work on many films for Al Adamson, such as. Made by fans in Auckland, New Zealand. At that time, Hollywood wouldn’t dare touch a subject like this one. Directed by James Landis. * Viewed after listening to the "A Treatise on Torture" episode of Dr. Rebekah McKendry's fantastic podcast Nightmare University, which provided some great insights into The Sadist's influence on later torture films.

J'ai regardé ce film oublié de 1963. If he ever seems to, it is only because he has another motive. Three schoolteachers are driving to a baseball game when their car breaks down. Once the three captives discover that Tibbs is the one responsible for the recent murders in Nebraska, they realize they are in some serious trouble. It also finds more clever camera angles than any early exploitation effort reasonably should, most notably some through-the-bulletholes moments that are particularly... well, cool. And there's nothing that can be done about it. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. What kind of monster shakes their Nehi before taking a swig? Really impressive and innovative cinematography from Vilmos Zsigmond, considering he only had one location and five actors to work with.

4 Very Good. He would rise to fame working on films like Deliverance (1972), The Deer Hunter (1978), and Close Encounters of the Third Kind (1977), which he won an Oscar for. Don Russell. They find a junkyard a little ways off the highway, in hopes of finding some help. If we ever begin to question it, Charlie will show us again that he is in control. Your worst fear may one day be your savior. Other times it is simply great-looking, like when we watch Charlie from behind a car's broken window. The Sadist, 1963, an offbeat but very scary low-budget movie for Halloween. What you’d get if John Waters or maybe Rob Zombie had directed a Playhouse 90. Summary: A raw and uncompromising little picture; little wonder that Joe Dante ranks it as one of the best B-movies ever made. ( Log Out / 

It wasn't, as some have suggested, nepotism. Starring Arch Hall Jr., Richard Alden, Marilyn Manning, Don Russell, Helen Hovey. There's a chase scene that's just wonderful. There are even some fantastic proto-slasher elements at hand. The details of its production make the film's accomplishments even more spectacular. What was most disturbing and thought provoking, in watching “The Sadist” is that the the film works because the plot and storyline are quite streamlined, and this is what makes the film work. Sometimes it is startling, as in the way we first see Charlie raise his gun to the teachers. 0 (Add comment) Bookmark post . Writer. I don't know if Texas Chain Saw Massacre director Tobe Hooper ever saw The Sadist, but watching it, one can see seedlings of that other movie of hopeless horror and mentally disturbed killers that came eleven years later. Indeed, many people believe that The Sadist's effectiveness is actually an accident -- a great one, like champagne. Director.

Hall, Jr., was pulled out of the pit just as the snakes were beginning to get angry. It isn't something I really see myself revisiting though. The Grindhouse Cinema Database is an online database of cult/exploitation/grindhouse movies from the '30s to the mid/late '80s. And I will hurt them. Thus begins The Sadist, horror cinema's best-kept secret. An important film to me for a number of different reasons. This lead to a number of genuine attempts at making the best film he could -- Eegah, Wild Guitar, and The Choppers, being his other most well-known, a term that I use here with utmost relativity -- but The Sadist is the only one that would amount to anything. Somehow everything combines and becomes terrifying rather than ridiculous ... well, it is a little ridiculous, too. Then there is the cinematography, done by William Zsigmond. He explains the goal of sadists: "to inflict moral insanity on the innocent," and that is exactly what the film itself does. Kill! Directed by James Landis. I stumbled across this when I started very seriously getting into movies; looking deeper at technique, at how information is conveyed, at how themes are communicated without explicitly stating them etc. Buy your copy of Hidden Horror, winner of the 2013 Rondo Award for Best Book, Starring Arch Hall Jr., Richard Alden, Marilyn Manning, Don Russell, Helen Hovey, One of the things that always set low budget filmmakers apart from the big studios is that they were always willing to take risks and tackle subjects the bigwigs wouldn’t touch.

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