It was rumored that she and Hitler were romantically linked, but she successfully sued the French magazine that began the rumor. Lesser known are the "Schlager" or "Chansons" … There was even a rumour that Pola and Hitler had had an affair. [46] Negri returned to France to appear in Fanatisme (Fanaticism, 1934), a historical costume film about Napoleon III.

To make the situation worse a rivalry grew between Pola and film star Gloria Swanson, who was known as the ‘Queen of Paramount’.

According to her autobiography, she also appeared in a Boston supper club engagement in 1945 for a repertoire centered around the song "Paradise", and retired from the entertainment business altogether. She decided to return to Europe to spark her flagging career but returned to the US in 1941 owing to World War II. [24] Madame DuBarry became a huge international success, brought down the American embargo on German films, and launched a demand that briefly threatened to dislodge Hollywood's dominance in the international film market. Infoplease is part of the FEN Learning family of educational and reference sites for parents, teachers and students. This meant forfeiting Hertz’s and Pola’s current two-year contracts at the time which inevitably led to a lawsuit against her, although the whole case was more of a publicity stunt in order to give Pola higher ratings on the german cinema market. It was rumoured that she received a personal blessing from Sarah Bernhardt herself to become the former superstar’s successor. Her final two films were Hi Diddle Diddle (1943) and The Moon Spinners (1964), after which she lived in virtual seclusion in San Antonio, Texas. After her film, A Woman Commands, premiered in Hollywood, Columbo performed Negri's signature song "Paradise" with his orchestra, and dedicated the song to her. [39] Although Hotel Imperial reportedly fared well at the box office, her next film Barbed Wire (1927), directed by Rowland V. Lee, and a number of subsequent films did not, reportedly due to negative publicity about her behavior at Rudolph Valentino's funeral (she fainted few times and cried exaggeratedly[40]) and her rebound marriage to Georgian prince Serge Mdivani,[41] although her films continued to fare well internationally.

It was created by Festival Founder and Artistic Director Michael Kutza. She made only two films after 1940, her last screen credit being in Walt Disney's The Moon-Spinners (1964). Polish Cinema's Golden Age: The Glamour & Progress Of Poland's Interwar Films.

Negri had met Chaplin while in Germany, and what began as a platonic relationship became a well-publicized affair and marriage speculation which received the headline "The Queen of Tragedy to Wed the King of Comedy. Retiring to San Antonio, Texas she died on August 1, 1987 at the age of 90 from pneumonia related to a brain tumor for which she had refused treatment. In 1914 Pola Negri debuted in her first film Slave to her Senses / Niewolnica Zmysłów directed by Jan Pawłowski.

In 1935, Negri returned to Germany to play a part in the Willi Forst film Mazurka, after completing the film Fantaticism (1934) in France, which happened to be the only French film she has ever made. [citation needed], Negri, with Theda Bara and Mae Murray, were the actresses whose eyes were combined to form the Chicago International Film Festival's logo, a stark, black and white close up of the composite eyes set as repeated frames in a strip of film.

Without the theater, Pola turned to films. [68] She received a star in Poland's Walk of Fame(pl) in Łódź and Poland's post office issued a postage stamp honoring her in 1996. She was accepted.

[60] Negri, who remained a devout Catholic in her later life, spent her time raising funds for Catholic charities with both her mother and West. Raised in the Congress Kingdom of Poland, Negri's childhood was marked by several personal hardships: After her father was sent to Siberia, she was raised by her single mother in poverty, and suffered tuberculosis as a teenager. On 2 April 1931 they divorced.While residing at the Ambassador Hotel in New York in April 1932, Negri performed with Russ Columbo in George Jessel's variety revue at the Schubert Theatre, and was briefly involved with Columbo. Negri met Rudolph Valentino at a costume party held by Marion Davies and William Randolph Hearst at the San Simeon estate and was reportedly Valentino's lover until his death in 1926. Intrigued, Mr Jesse L. Lasky, (head of the Famous Players agency – known today as Paramount Pictures) sent her an invitation to Hollywood. Hertz saw this as an opportunity to arrange an offer with Saturn Studios. Wenn die Sonne hinter den Dächern versinkt, Ich möchte einmal nur mein ganzes Herz verschwenden, Kommt das Glück nicht heut'?

[47] The following day she moved to Estoril’s Hotel Palácio. [51] Negri lived with West until the latter's death of heart failure in 1963.

The press dismissed her actions as a publicity stunt. It became an absolute sensation in Europe. If you have nothing else to do—see this and suffer with Pola. - IMDb Mini Biography By: Negri had met Chaplin while in Germany, and what began as a platonic relationship there became a well-publicized affair and marriage speculation which received the headline, "The Queen of Tragedy To Wed The King of Comedy". Learn more about the world with our collection of regional and country maps. At the time German cinema was not ready to fulfil her full acting potential. In 1902 she attended a ballet school but was later impeded in dancing because of an illness. [32] Negri was a frequent photography subject of Hollywood portrait photographer Eugene Robert Richee, and several photographs of her were taken during this period.

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