You have 4 free articles remaining this month, Sign-up to our daily newsletter for more articles like this + access to 5 extra articles. There are people who got out of Vietnam who are grateful to be here for sure, but we also left behind a lot of people. Another great narrator who had that same ability was the late Edward Herrmann.

Why were we there? PK: Your narrator opens by saying the war “was begun in good faith by decent people.” How do you square that with the duplicity depicted later in the documentary? It’s up to Gavin Newsom, Menlo Park school official resigns following wife’s vulgar tweet about Kamala Harris, Troubling election trend for House Democrats in California — they’re losing ground, Biden taps UCSF doctors for national coronavirus task force, Here’s what Joe Biden wants to do as president, and what could stop him, Outside Kamala Harris’ childhood home in Berkeley, an impromptu dance party takes over the street, Editorial: Lives may depend on orderly transition President Trump is preventing, Opinion: Gov. LN: To go back to the fall of Saigon, I felt it’s not the same bitterness that you and your colleagues feel about what has happened recently, but there was a sense that we abandoned our ally and we abandoned our people and left them at the mercy of the North Vietnamese. "Jazz" was an abomination as a documentary. Terms of Service apply. Many people came back feeling like they never wanted to talk about it again. At the same time they were very melodramatic. Below is a condensed version of Klay’s conversation with The Vietnam War co-director Lynn Novick. Nothing is further from the truth, as any objective reading or reporting of American Jazz reveals. Burns and Novick introduce additional causes of US involvement as the episodes unfold. Written by Geoffrey C. Ward,produced by Sarah Botstein, Novick and Burns, it includes rarely seen,digitally re-mastered archival footage from sources around the globe,photographs taken by some of the most celebrated photojournalists ofthe 20th Century, historic television broadcasts, evocative homemovies, revelatory audio recordings from inside the Kennedy, Johnsonand Nixon administrations and more than 100 iconic musical recordingsby many of the greatest artists of the era.The film will be accompanied by an unprecedented outreach and publicengagement program, providing opportunities for communities toparticipate in a national conversation about what happened during theVietnam War, what went wrong and what lessons are to be learned. PK: What would you say are the biggest fallacies about the Vietnam War that fictional movies have perpetuated? You said it correctly. Their narrative about the Richard Nixon phase of the war, as well as the Vietnam War's denouement in 1975 under President Gerald Ford, repeats historical myths and misconceptions that have long been debunked. Today, reader support makes up about two-thirds of our budget, allows us to dig deep on stories that matter, and lets us keep our reporting free for everyone. Ten years in the making, The Vietnam War, Burns and Novick’s 10-part journey into the most divisive of our 20th-century conflicts, premieres September 17 on PBS. Moreover, as General Gard continues talking, a photo of McNaughton's Pentagon Papers document is shown on the TV screen, but the right-side of the page, on which the term "guarantor" should appear, is sliced off the TV screen and cannot be read by viewers ("counter-subversion guarantor" appears in other versions of McNaughton's survey in the Pentagon Papers). My major criticisms of their TV history are fourfold. ", Incredibly, Burns and Novick omitted the critical parenthetical portion of the 70 percent reason to stay in Vietnam – namely, "To avoid a humiliating US defeat (to our reputation as a counter-subversion guarantor)." Now, I need to revisit some of the audiobooks. ), what is the approximately LOWEST $$ you will accept for a single voice over job?

I don’t have any family members that were directly affected by it. Why did Democratic and Republican governments from Truman to Nixon escalate the US role in Vietnam? I think there’s something extraordinarily powerful about the process of having to hear the stories of people you don’t agree with. Mentioned as causes of US escalation by Kennedy in a later episode are US global prestige, crusading idealism, and presidential electoral politics.

All in all, the Burns-Novick series is a historical disappointment, because it does not make this truth clear. Ken Burns’ ‘The Vietnam War’ offers same narrative, with little perspective, Read more about our transparency and ethics policies, Marines marching in Danang. . I don’t know. Lynn and I have spent 10 years shedding our feeble preconceptions. Phil Klay: You’ve covered two wars already. Kenneth Lauren „Ken“ Burns (* 29.Juli 1953 in Brooklyn, New York City, NY, USA) ist ein US-amerikanischer Dokumentarfilmer.. Zwei seiner Dokumentationen wurden für einen Academy Award und sechs seiner Arbeiten für einen oder mehrere Emmy Awards nominiert.

(Read Klay’s interview with Novick at the bottom of this post.). These are informal focus groups of people who are bitterly opposed on many levels. I’m optimistic that enough time has passed and that people can just reset and take a new look at this and have a different kind of conversation.

The little coverage these other voices receive does little to right the balance. World War II is smothered in sentimentality and nostalgia. It seems to open people up to hear each other and all I can say is we’ve seen it happen again and again in the conversations after screenings. This was something that was begun in secrecy and ended 30 years later in failure. All Rights Reserved. Perhaps "arrogance of power" would have been a better or more honest term. This site is protected by reCAPTCHA and the Google Privacy Policy and And the way African Americans within units were segregated and made to feel inferior makes combat a very interesting flashpoint for racial issues. In The Best We Could Do, graphic novelist Thi Bui traces her family’s displacement from Vietnam in the 1970s. January 19, 1967. It was a daily humiliation. They seemed extremely open to the idea. I knew where we were going, and yet I couldn’t get off the ride. American soldier with his siblings before leaving for Vietnam.

As such this film could not … We were surprised to find how open people were to talk about such a painful subject: just the scale of tragedy there, how many people were killed, how small of a country it is, how everybody was affected, the real horrors of the war. Bernie Boston / The Washington Post via Getty Images. Conversely, the "Soviet bloc" would benefit by gaining access to these materials. Courtesy Crocker Family/PBS. Mother Jones was founded as a nonprofit in 1976 because we knew corporations and the wealthy wouldn't fund the type of hard-hitting journalism we set out to do. But after a few questions, they realized what we were about.

Cold War miscalculation? They are extremely patriotic and loyal and just devoted Americans, that first generation. If I’d gone through something like that, I’m not sure I’d be able to talk about it. LN: One blind spot in all the Hollywood movies that I remember is that the Vietnamese, if depicted at all, are completely one dimensional. Ken Burns’ ‘The Vietnam War’ offers same narrative, with little perspective By Aimee Phan Oct. 3, 2017 Updated: Oct. 3, 2017 3:24 p.m. Facebook Twitter Email LinkedIn Reddit Pinterest by many of the greatest artists of the era.

THE VIETNAM WAR features testimony from nearly 80 witnesses, including many Americans who fought in the war and … The film’s narrator says that President Nixon wrote the head of the construction workers’ union, expressing support for construction workers who were conducting violent counter-protests in downtown Manhattan. Indeed, recent documentaries on the war continue to be directed by white American filmmakers. epoch it encompassed viscerally to life. But their treatment of diplomatic, political, international, and other important facets of the war leave something to be desired. “It was me creating my own lexicon of images of Vietnamese people that were different from each other,” Bui says, “more wholly human than I’d seen before.”, PK: The Vietnamese American author Viet Thanh Nguyen talks about how every war is fought twice, once in fact and then—. Yes. Why was investing American lives and treasure in a brutal and costly faraway conflict more important than solving our own critical domestic problems? THE VIETNAM WAR is a ten-part, 18-hour documentary film series directed by Ken Burns and Lynn Novick that will air on PBS in September 2017. Perhaps this documentary would have been better received 20 years ago. We let a pretty small number of people get out out right before the fall of Saigon compared to the numbers of people that probably wanted to leave. Why must young men have had to go to Vietnam to fight, and die?

Save big on a full year of investigations, ideas, and insights. One way is to avail ourselves of the recent scholarship and begin to craft a narrative that is accurate to the real events of that war. The most important of Johnson's fears, according to the documentary's narrative, was "credibility."

Then, I started to become extremely interested and I read everything I could get my hands on from the time I was in college until we made the film. misunderstanding the nature of the war and Vietnamese goals and culture)? Voice-Over Xtra! Sign up for the Mother Jones Daily newsletter and let our journalists help you make sense of what’s happening. Such a loss, they claimed, would be felt by the whole "free world" but in particular by Japan, India, and "free Asia."

California, October 15, 1969. As a veteran of the Iraq War who has written about the experiences of returning soldiers, I jumped at the chance to speak with Burns about his most formidable project to date. 1954-1974) – is inaccurate, disjointed, incomplete, and fundamentally negative. One of the problems associated with the credibility argument was that it was an abstract defense. KB: Of course—in the exact same fashion as the Americans. What are the lessons you drew from the stories of Vietnamese refugees who fled the war and its aftermath? I can’t think of a Hollywood film of the time that we’re discussing that really gives a dimensional representation of anything to do with what the Vietnamese were going through on both sides. It’s a historic moment for our democracy, and never has it been so important to stay grounded in facts. But for those viewers who are not satisfied, this can be a wake-up call: If we Americans will ever be able to look beyond our own experiences and desires, this dangerous style of self-centered storytelling must be disrupted.

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