Since nowadays no one gets producer credits with digital downloads, you may see quite a few records that you didn't know I worked on. With no vocals, it would not make a very interesting bootleg. When they were planning Incesticide Krist called me up and wanted to know if I remembered “Blandest” and if there was a tape of it anywhere; I told him “no, you guys told me to erase it!” Imagine how spooked I was when I later heard it on a bootleg…tenth-generation cassette tape hiss, horrible fried 3-AM rough mix and all….
My most recent work can always be found at the top of my chronological Production Discography. Greg Prato’s “Grunge Is Dead” is a good read too, and Everett True’s book also, and Mark Yarm’s. Everyone thought it was pretty silly and it has remained in a Sub Pop vault, unbootlegged to my knowledge. What hasn’t??) OK, now extrapolate from how 100% fictional the two pages I know about are…) Seeing this kind of fiction printed about Kurt really bums me out. What a bummer to hear ‘em now, this way. ), I am often asked how we got Kurt’s guitar sound, in fact Guitar World just asked me…so here it is, once and for all. Much later when Dan Peters was briefly drumming for them we cut “Sliver” using Tad’s equipment, though Kurt and Krist brought their guitars. (For what appears to be the LAST WORD [right!] El álbum más famoso que produjo fue Bleach de Nirvana en 1989.
2005 UPDATE: This “Rape Me” demo is on the box set, mixed by me at a later date. I’ve read it cover to cover, and the man did his homework. No contact info, either. About Jack Endino. Most of my Seattle work currently takes place at a studio called Soundhouse. On the other hand, recently someone sent me a photocopy of just two (!)
Don’t know what model but it looked sort of like a Mosrite.
Credits: "P"=Production; "CP"=Co-production, usually with artist, or as noted; "PP"=Post-production; "E"=Engineering; "Mx"=Mixing; "Ma"=Mastering. There was also an earlier, instrumental version of “Sifting” with a wah solo, and similar early versions of “Blew” with a different solo and gibberish (i.e. “Blandest” didn’t come out very well and they opted to re-record it at a later time because the song was just not ready yet. Jack Endino's Web Site, with discographies, FAQ and tons of info. With Bleach and half of Incesticide, 7 tracks on With The Lights Out (the box set), an extra one added to Sliver – The best of the box,, the whole extra live show added to the Bleach reissue, and 7 bonus tracks on the deluxe reissue of In Utero, I think I have recorded and/or mixed more released Nirvana tracks than anyone else. unfinished) words, and “Mr.
Curiously, on the day I recorded the first demo, 1/23/88, they had to leave by dinner time so they could make it to Tacoma (40 miles) in time to sound check for a show that night at the Community World Theater (the only place to play in Tacoma at that time).
In it he describes the sessions for Bleach from the point of view of “Endino’s engineer” and even an unnamed “second source at Reciprocal”; he describes Kurt putting lit matches in his mouth, spraying antiperspirant down his throat, pouring beer on the mixing board, taking “fistfuls of pills”, etc, etc. 2005 UPDATE: This version of “Sappy” was considered but did not make the final cut for the box set, although there’s at least one other version of the song included; I believe it is the “No Alternative” Albini version, which is actually the definitive and best version of Sappy. Shortly before Chad left the band we recorded a version of “Sappy” (Chorus: “… You’re in the laundry room…”) that wasn’t that great and is still in a Sub Pop vault somewhere. Somehow I also found time to play guitar in a band called Skin Yard; we made 5 albums between 1985 and 1992, some on a subsidiary (Cruz Records) of the legendary SST label. MASTERING, which I am getting serious about, is highlighted in pink. To be honest, I (and almost everyone else involved) had forgotten that those last two songs even existed on the reels, possibly because the unfinished “Grey Goose” has no words to remember it by (or bridge, or chorus… some great drumming though), and it seems no rough mixes were ever made except of “Shame” and “Where Did You Sleep”.
The most sought after outtake from this session is called “Token Eastern Tune”. Since all 8 tracks were full on the master tape, we had to plug the studio cassette deck into the board like a virtual 9th track, and each time I ran through the mix, Kurt had to press “play” on the cassette deck at the right instant so that the stuff would be blended into the mix I was doing. I was allowed to do proper mixes on all of these.
“Downer” also has Dale on backing vocals. Gig info is at http://www.nirvanaguide.com.
The only finished outtake from these sessions was “Big Long Now” which later appeared on Incesticide. 2005 UPDATE: “If You Must” and “Pen Cap Chew” are on the box set. (This was after the studio had turned into “Word Of Mouth Productions” for a couple years. Moustache” with gibberish words. My third solo album "Permanent Fatal Error" was released in early 2006.
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