There is no chitter chatter, this is a crowd completely absorbed. Here, typically, he starts with 60s utopias, footage of doomed Pop artist Pauline Boty, who refused cancer treatment in order to save the life of her unborn daughter, is juxtaposed with the American-funded attempts to create a model town in a place called Helmand, Afghanistan… and then with nascent youth movements in Siberia and with both the dereliction of 70s New York and its rebirth in the casino capitalism of Donald Trump. The founding member of Massive Attack, Robert del Naja, aka 3D, had announced that “we are going to be doing something we’ve never done before”. Curtis ends the film and the evening with a call to arms: the future is not predictable, anything is possible, don't be afraid. Everything Is Going According to Plan (Massive Attack v Adam Curtis) Collaboration with … Read about our approach to external linking. selection of opinionated observations and arguments. Songs by Letov’s band GrOb and also Yanka Dyagileva are brought to life by Del Naja, Cook and Fraser singing, as written, in the Russian language. The audience, many of whom have come to dance, stand pretty much motionless throughout, rapt or trying to keep up with the dizzying and seductive images that Curtis presents and sometimes sonorously narrates. On arrival, the audience is ‘penned in’ to an area of the building where tension builds before being released through to the main arena. From time to time you are reminded that this is a musical as well as a visual adventure – particularly when guesting Liz Fraser, once of the Cocteau Twins, steps forward to sing, with her rare dreamlike clarity, The Look of Love or later in haunting Russian – but mostly, even if the bass is making the walls shake, it is the film that overwhelms your attention.

A LIVE SHOW STARTING IN TWO WEEKS TIME IN MANCHESTER. The audience is almost entirely surrounded by eleven giant screens on to which the film is projected. What links us is not just cutting stuff up - but an interest in trying to change the way people see power and politics in the modern world. Siberian punk also features, as the film focuses on ‘father of Russian punk’, artist, poet and musician Yegor Letov, who was sectioned by the Soviet government for three months during the 1980s. It is powerful stuff. Make it your jam if you know a good link! This Manchester international festival collaboration with Bristol-based trip-hop pioneers Massive Attack is billed as a playful showdown, a versus, in the manner of a rap contest or a prize fight; the vast derelict train depot in which this battle is being staged over 10 nights offers a suitably raw-boned backdrop for the high-decibel stand-off – earplugs are given out at the door – but it quickly becomes clear that soft tones of Curtis are the likely winner. A rigid and static system that has found in those images and sounds a way of enveloping us in a thin two-dimensional version of the past. He uses extraordinary, sometimes disturbing, footage and largely unknown information about a range of people and events. Now it’s time for some live art. This disused railway station, then postal depot, originally built in 1910, provides a suitably eerie and bleak atmosphere with bats and pigeons in the rafters adding to the dystopian ambience. The first and only time it’s been posted was by urnjurt in Jul 2013 . This makes for one of the most emotionally moving stories that is woven throughout the film and delivers a lasting heavyweight impact. Curtis is the most influential documentary storyteller of our times, with his application of Zapruder-inspired forensics to every corner of our culture, and his wit. Mostly darkness winning, sadly, but beauty too has its moments. Once in and the show starts, all the senses are awoken, and it comes at you from every direction. Along with Massive Attack the show will star two great singers. You will be surrounded by all kinds of images and sounds. With guard dogs barking, this Orwellian installation is complete. Del Naja said that he would love to do something with filmmaker Adam Curtis, having recently been blown away by his documentary; ‘All Watched Over by Machines of Loving Grace’. :) This jam is special! The audience are mesmerised and responsive, transfixed on what surrounds them. This is both established and fearlessly demonstrated this evening. Massive Attack, led by Robert Del Naja, who proposed the idea to Curtis, seem more than happy to act as a counterpoint to that synthesising effort, breathing life into the Jesus and Mary Chain's Just Like Honey, for example, while a supersize Jane Fonda works out, or providing a pitch-perfect version of the Shirelles' Baby It's You while the Taliban destroy images of "every living thing". In 2011, when Robert Del Naja attended the premiere of Damon Albarn’s ‘Doctor Dee’ at the festival, Alex Poots, the MIF director, asked him if he would like to get involved and produce his own show. The setting for this unique and groundbreaking project is an integral part of the experience. But it is also about ideas. The music adds depth and emotion to the film and its narrative. So complex is the web that it would be impossible to recount it all, but some choice cuts include, for one, an account of Donald Trump’s relationships with Jess Marcum, a mathematical and gambling genius, known as ‘The Automat’, and a Japanese gambler, who cost Trump millions of dollars when he was hacked to death in his hotel room before paying his debt to Trump’s casino. It is easy to see why Del Naja has been describing the event as ‘a collective hallucination’. Prior to their show, Massive Attack v Adam Curtis, the collaborators gave the media a sneak preview as to what their show was about. Let’s make something clear from the outset: the experience that Massive Attack and Adam Curtis have cooked up for the Manchester International Festival 2013 (MIF) is like nothing you will have experienced before….and that’s kind of the point. Nothing demonstrates the enormity and importance of this inspiring event more than the deliverance of Massive Attack v Adam Curtis on its eight-night run this year. It tells a story about how a new system of power has risen up in the modern world to manage and control us. Poots didn’t mess about, and sent a text immediately to Curtis, and the collaborative process began. Curtis gave further insight in his BBC blog prior to the festival -, ‘The show will be a bit of a total experience. I’ll be including This is a website expressing my personal views – through a (The following article was originally published in July 2013 by Immersed Audio, an online music site that has since been closed.).

We've used film, music, stories and ideas to try and do this - to build a new kind of experience. Horace Andy sings on ‘Baby It’s You’ and ‘Sugar Sugar’, songs that epitomise the America that Pauline Boty believed in, and the America in which both her widowed husband and then her daughter died in disturbing circumstances. Immense, emotional, frightening, beautiful, dark, and very very real. The show will be a bit of a total experience. MASSIVE ATTACK V ADAM CURTIS. Comments A LIVE SHOW STARTING IN TWO WEEKS TIME IN MANCHESTER.

Stay updated with the latest posts from the blog, MRS THATCHER - THE GHOST IN THE HOUSE OF WONKS. Wednesday 19 June 2013, 15:00 Adam Curtis.

But it is also about ideas. The event is built around Adam Curtis’ cut up and paste film essay Everything is Going According to Plan, and the Massive Attack soundtrack includes little of their own material, with Karmacoma the only familiar song. Curtis’s film ‘Everything is Going According to Plan’ characteristically leads and guides us through a complex web of historical events, true stories, incidents, injustices and modern anxieties. Footage of Afghanistan, the search for Osama Bin Laden, and made-up ‘Bond baddie’ insinuations of underground hideouts that were televised on American news is also astounding. Also, the unbelievably tragic story of revolutionary 1960s pop artist Pauline Boty and the deaths of both her husband Clive Goodwin and her daughter Boty Goodwin, and the ideals they believed in. United Visual Artists, who have been working with Massive Attack for a decade now, also played a key role in bringing to life the ideas and visions of Del Naja and Curtis. The BBC documentary-maker – justly celebrated for series that include.

He works through surprising oppositions of time and space, sifting the chaotic strands of TV imagery to find threads of global narrative. The BBC documentary-maker – justly celebrated for series that include The Century of the Self, The Power of Nightmares and All Watched Over By Machines of Loving Grace – speaks with such paternal conviction, such stylish wisdom, that given half a day in a film archive you suspect he could have you believe pretty much anything.

The best way we can describe it is "a Gilm" - a new way of integrating a gig with a film that has a powerful overall narrative and emotional individual stories. His films play on that understanding, using fast-cut YouTube attention-deficit techniques to attempt to make sense of the world technology is making for us. With typical ambition, and a degree of corner-cutting chutzpah, Curtis spends the following 90 minutes or so – taking in Chernobyl, Goldman Sachs, the Taliban, Vladimir Putin, Bambi, the Ceausescus and Jane Fonda – trying to make those elements cohere to explain the world in which we find ourselves.

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