"No wonder there is so much violence in the poor community,” Moore says in an interview, “because there are so many acts of state-sponsored violence against the poor.
User Reviews It seems to have been made to delight European intellectuals and anyone else who believes that America is a land of bloodthirsty yet comical barbarians. Often uproariously funny, even though much of its queasy power comes from its acknowledgment that some matters are too horrifying to be washed away with cheap laughter, or packaged into soundbites. In this cesspool of poverty and social inequality are to be found the real, deeper roots of senseless violence. Where Bowling for Columbine is at its most valuable is in its examination of America's culture of fear as a root cause of gun violence. 50.
80. See all external reviews for Bowling for Columbine (2002). "Why aren't we talking about the violence of that act? [28 October 2002, p. 119].
Satire sometimes cannot compete with reality.
Yet some critical remarks should be made. As much as Bowling for Columbine did for the conversation about violence and gun control in the United States it wasn’t enough and it never will be. These are wage slaves. For all his jokes and witticism to make his point - nothing wrong with that - Moore is at his best in his role as ‘reality instructor’. The injustice here is not so much to the viewer, as to the independent producers of real documentaries. The simply hilarious cartoon - entirely in South Park fashion - representing the history of the United States loses a great deal of its value through the absurd claim that Americans possess guns because of their historical fear of blacks!
ALL RIGHTS RESERVED. It's an insult to his own movie, which at its considerable best transcends his thuggish personality.
The raw scenes of desolate and depraved neighbourhoods in Flint, a city that once had an important automobile industry but which became a ghost city since the flight of capital and the subsequent de-industrialisation, are undoubtedly extraordinarily poignant.
The sparks fly thanks to Moore's patented blend of curveball research, expedient juxtaposition, genuine satire and bottomless chutzpah.
Bowling for Columbine starts with a sceptical Moore opening an account at a Michigan bank that gives each of its new customers a free rifle.
Moore provides a rather rambling discourse of causality, which includes racism, white flight and Africanized bees. Documentary reaches an exalted level of filmmaking. He then undermines himself by leaping into the blame game without supporting his central thesis, that the media is what makes teens like the ones at Columbine turn around and shoot up their schools.
But if Moore fails to tie this unwieldy movie into a lucid thesis, at least every tangent he chases down has its own payoff. Moore's roving essay feels even more urgent now than it did when the jury had to make up an award to honor it at the Cannes film festival in May. Something appalling about the way he turns to the camera with a look of sorrow: Michael Moore as a suffering Christ. Valgkaos og krisen i Amerikas borgerlige demokrati, A “segunda onda” traz consigo uma onda de protestos na Itália.
Moore brilliantly unmasks the inanity of the arguments used in the debate over gun control in America.
Best of 2018: Film Awards and Nominations, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. Michael Moore’s ‘Bowling for Columbine’, the film which won an Oscar for best documentary, is not in fact a documentary, but rather more of a persuasive essay in film format. The Michael Moore production "Bowling for Columbine" just won the Oscar for best documentary. Beethoven article by Alan Woods: now in Kurdish!
Beethoven: man, composer and revolutionary, Leonardo Da Vinci: artist, thinker and revolutionary. Como lutar contra Chega - com uma liderança genuína da classe trabalhadora! Nowadays “the land of the free” is only too often a veiled description of a hyper-individualistic capitalist society in which each of the different competing ‘atoms’ is supposed to seek their unreachable American Dream.
[28 October 2002, p. 119] 75. © 2020 METACRITIC, A RED VENTURES COMPANY. Britain: no compromises! A resolution presented to Phoenix DSA.
Its a welcome addition to the national debate, which while not always on the money, is consistently thoughtful, smart and thoroughly satisfying. It's poorly structured, a half-hour too long, and devotedly fixated on the filmmaker's persona.
More From This Movie 72 Critic Reviews. User Ratings FAQ Imperfect as it may be, Bowling for Columbine is riveting stuff. It seems to have been made to delight European intellectuals and anyone else who believes that America is a land of bloodthirsty yet comical barbarians. Awards John Powers.
Appealing to the likes of us, we thought, and this proved to be no false expectation.
Weapons only strengthen the tendency to look for individual solutions to problems that in reality strike the population as a whole. Moore provides a rather rambling discourse of causality, which includes racism, white flight and Africanized bees. In the movie, you see the single mother who is taken away from her kids in a welfare-to-work program, put on an 80-mile roundtrip bus every day, where she doesn't get to see her kids because she has to work off her welfare. To his own astonishment, the very sympathetic Moore promptly walks out with his peculiar welcome gift. Moore's concern about issues is genuine, and his showboating technique is often entertaining. If you want more information about joining the IMT, fill in this form.
Imperfect as it may be, Bowling for Columbine is riveting stuff.
Bowling For Columbinewas written, produced and directed by the American satirist and filmmaker Michael Moore following on the events of April 20th 1999, when two students at Columbine High School in Littleton, Colorado, went on a killing spree, shooting to death twelve of their classmates and a teacher and injuring many others before killing themselves. But he is not the most organized person in the world, and there is a scattershot randomness about this film that is both its essence and a source of frustration. It explains the very fabric of American society. It does get K-Mart to pull handgun and assault ammunition from their shelves after two Columbine survivors show up at corporate headquarters with Moore's camera crew in tow and bullets bought for 13 cents apiece at a K-Mart store still embedded in their bodies. The New Yorker David Denby. When he follows his nose -- say, by tracing his own connections to Eric Harris, one of the Columbine shooters -- he implicates himself in what he hates and fears, and he emerges as a wounded patriot searching for a small measure of clarity.
The only thing wrong with Bowling for Columbine is Moore himself.
To me, that's a violent act against that woman by the state. | At its best, the movie powerfully indicts our violent history.
He also elicits from Charleton Heston, head of the National Rifle Association, the remark that ethnic desegregation is the main cause of violence in the US! (source: San Francisco Bee, October 25, 2002). Where Bowling for Columbine is at its most valuable is in its examination of America's culture of fear as a root cause of gun violence. Bowling for Columbine ist ein Dokumentarfilm des US-amerikanischen Regisseurs und politischen Aktivisten Michael Moore aus dem Jahr 2002. Bowling for Columbine starts with a sceptical Moore opening an account at a Michigan bank that gives each of its new customers a free rifle. [28 October 2002, p. 119]. Its a welcome addition to the national debate, which while not always on the money, is consistently thoughtful, smart and thoroughly satisfying. Fun and informative, thoughtful and thought-provoking.
This volcanically funny and seriously scary look at America's obsession with guns is meant to shake us up good.
Add to that a wretched press blowing up all kinds of petty crimes while generally suppressing the real criminality (corporate fraud and all sorts of white-collar crime committed by respectable ladies and gentlemen in suits), and it gets a lot easier to understand why a hot-headed nation takes up arms so readily.
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Moore continues another one infinitely more valuable -- the proud line that extends right back to Mark Twain, embracing all those satirists so enamoured with America at its best that they won't stand silent for America at its worst. But he is not the most organized person in the world, and there is a scattershot randomness about this film that is both its essence and a source of frustration. To his own astonishment, the very sympathetic Moore promptly walks out with his peculiar welcome gift.
Portugal: fight Chega with genuine leadership for the working class!
At its best, the movie powerfully indicts our violent history.
Rambunctious, disturbing, often hilarious new documentary. Moore continues another one infinitely more valuable -- the proud line that extends right back to Mark Twain, embracing all those satirists so enamoured with America at its best that they won't stand silent for America at its worst.
When he follows his nose -- say, by tracing his own connections to Eric Harris, one of the Columbine shooters -- he implicates himself in what he hates and fears, and he emerges as a wounded patriot searching for a small measure of clarity. Italy: the “second wave” brings with it a wave of protests, Electoral chaos and the crisis of American bourgeois democracy. Apart from a film that grabs the spectator by the scruff of the neck, at times being tragic by the bare facts alone, Bowling for Columbine is above all a very humorous and enjoyable documentary about the American weapons industry, but also about the latter’s link with US foreign policy. Moore mentions in passing that the murders in Columbine occurred on the same day as America's most intensive bombing of Kosovo. Moore turns the camera on himself too often for comfort, but he provides an eye-opening array of facts and revelations. Notable Video Game Releases: New and Upcoming, November Preview: 19 TV Shows & New Movies to Watch at Home. The movie "Bowling for Columbine" was made after the shooting in Columbine high school and tries to explore the reasons for America's violent nature. And it does. Nor is it a coincidence that in the country with the largest gun ownership, it is very easy to close factories, sack workers and cut social programs (as far as the latter exist, of course). One of the better parts of the documentary is the passage where Moore investigates the concrete circumstances in which a six-year-old boy shot a little girl in an elementary school near Flint, Michigan. | Disturbing, infuriating and often very funny film. Moore's concern about issues is genuine, and his showboating technique is often entertaining.
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